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Frontiers in Art Research, 2026, 8(3); doi: 10.25236/FAR.2026.080303.

The Formative Context of Qian Chenqun's "Aged and Vigorous" Calligraphic Style and Emperor–Minister Interaction

Author(s)

Zhenhao Zhu

Corresponding Author:
Zhenhao Zhu
Affiliation(s)

School of Fine Arts and Calligraphy, Qufu Normal University, Qufu, Shandong, China

Abstract

Qian Chenqun (1686–1774), courtesy name Zhujing and art name Xiangshu, was a native of Jiaxing, Zhejiang, in the Qing dynasty. His calligraphic style can be understood not only from the perspective of technical transmission but also within the context of poetic exchanges between court literary officials and the emperor during the Qing period. Through his commendation of the Qian family tradition, the Qianlong Emperor conferred an orthodox status upon Qian Chenqun's calligraphy, providing the essential precondition for his distinction among the numerous court literary officials. Qian Chenqun's adoption of Zhao Mengfu's calligraphic style was shaped by the artistic trends of his time and also benefited from the fortuitous opportunity to become acquainted with the Qing collector An Qi. In his later years, his "aged and vigorous" calligraphic style developed into a form of running-cursive script characterized by seasoned mastery, naturalness, and spontaneity under the combined influence of physiological decline and imperial expectations.

Keywords

Qian Chenqun; calligraphic style; aged and vigorous; Qianlong Emperor; emperor–minister interaction

Cite This Paper

Zhenhao Zhu. The Formative Context of Qian Chenqun's "Aged and Vigorous" Calligraphic Style and Emperor–Minister Interaction. Frontiers in Art Research (2026), Vol. 8, Issue 3: 16-22. https://doi.org/10.25236/FAR.2026.080303.

References

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