Frontiers in Art Research, 2025, 7(7); doi: 10.25236/FAR.2025.070701.
Hu Wenqi
International College, Krirk University, Bangkok, Thailand
This study investigates the intricate interplay between Netflix's personalized recommendation algorithm and the aesthetic preferences of drama and film audiences, employing an integrative theoretical framework synthesizing media dependency, aesthetic socialization, and cultural circulation theories—supplemented with innovative perspectives on algorithmic resistance and neuroaesthetic responses—to address critical gaps in existing scholarship. By integrating these theoretical lenses, this research reveals the bidirectional influence dynamics of algorithmic influence: while recommendation systems actively shape aesthetic standards through processes of dependency formation and gradual taste cultivation, audiences demonstrate significant agency through strategic resistance behaviors. Drawing on a mixed-methods approach (patent analysis, cross-cultural surveys, neurophysiological experiments with 64-channel EEG (BrainVision Recorder, Brain Products GmbH) and eye-tracking), including patent analysis, user surveys (n=2,000), in-depth interviews (n=20), and neurophysiological experiments (n=120), the findings establish a "dynamic negotiation" model that transcends simplistic determinism, highlighting how cultural context and individual differences moderate algorithm- audience interactions. This study contributes to media aesthetics and digital culture studies by introducing a holistic framework for understanding algorithmic aesthetic influence, validating novel measurement techniques that combine behavioral and neurophysiological data, and offering evidence-based policy recommendations for platform design and content production.
Algorithmic, Recommendation, Aesthetic, Preferences, Netflix, Media, Dependency, Neuroaesthetics, Audience Resistance
Hu Wenqi. The Algorithmic Shaping of Aesthetic Preferences: A Comprehensive Analysis of Netflix's Recommendation System and Audience Responses. Frontiers in Art Research (2025), Vol. 7, Issue 7: 1-12. https://doi.org/10.25236/FAR.2025.070701.
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