Frontiers in Art Research, 2025, 7(6); doi: 10.25236/FAR.2025.070607.
Jianxing Shi1, Lili Wen2
1School of Music, Baotou Teachers’ College, Baotou, Inner Mongolia, China
2School of Arts, Chongqing College of Humanities, Science & Technology, Chongqing, China
In order to promote the inheritance and development of Andai Dance, this study analyzes its ritual deconstruction and the reconstruction of community identity from the perspective of intangible cultural heritage (ICH) revitalization. It begins with a brief introduction to the connotation of ICH revitalization, affirming its value in the inheritance and development of intangible cultural heritage. Based on the origin and development of Andai Dance, the paper deconstructs its ritual elements from spatial and functional perspectives, clarifying its various components. Finally, it proposes strategies to revitalize Andai Dance and reshape its community identity, aiming to further strengthen community recognition of the dance, encourage greater public participation in its transmission and development, and fully realize the cultural value of this ICH.
ICH Revitalization; Andai Dance; Community Identity; Reconstruction
Jianxing Shi, Lili Wen. Ritual Deconstruction and Community Identity Reconstruction of Andai Dance from the Perspective of Intangible Cultural Heritage Revitalization. Frontiers in Art Research (2025), Vol. 7, Issue 6: 47-51. https://doi.org/10.25236/FAR.2025.070607.
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